魔王街

　凯拉（劳拉·乔丹 Laura Jordan 饰）、梅丽莎（尼姬·埃克斯 Nicki Aycox 饰）、鲍比（尼克·扎诺 Nick Zano 饰）和尼克（凯尔·施密德 Kyle Schmid 饰）等四个年轻人正驱车前往拉斯维加斯，准备参加那里举行的聚会。他们的车载半路抛锚，四人寻求帮助时在荒野找到一座空无一人的房子，继而在仓库里找到一辆跑车。经过一番讨论，他们决定留下联系方式，暂时把车开走，并负责赔偿车主的损失。                                                                    　　然而他们的想法过于天真，这辆汽车的主人正是恐怖的锈钉（马克·吉本 Mark Gibbon 饰），凯拉等人破门而入和偷走汽车的行为彻底惹恼了他，锈钉的疯狂狩猎也随即展开。凯拉等人命悬一线…

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　1993 年，发生了可怕的事件：一个神秘的儿童节目主持人克罗克特先生神奇地从电视机中出现，绑架了年幼的孩子杀害了其父母。而在克罗克特先生绑架了女主的儿子之后，女主开始了危险的追寻之旅，她要找到这个恶魔，救出她的儿子。