妹妹的裤子 / 广濑飞鸟 [GREDB-1050]

　　延续了印度英雄罗希的故事：罗希得到外星人所赋予的超能力与智慧后，邂逅了一位美丽女子并生下儿子克里许那。然而因为一场交通意外，克里许那失去了双亲，和祖母相依为命。　　当克里许那长大成人后，他发现自己除了从父亲身上遗传了俊俏脸庞外，竟同时拥有超能力，而这种力量将会改变他的一生。一次偶遇，克里许那爱上从新加坡来的少女琵莉亚，其后琵莉亚回国，克里许那伤心不已，祖母便建议他到新加坡去追寻自己的真爱。　　一晚，克里许那与琵莉亚去欣赏一个马戏团表演，却发生了大火，堵住了所有的出口，把观众和马戏团团员都困在帐棚里。绝望的观众在火场中只能期待渺茫的奇迹。此时，克里许那马上化身为奇魔侠并发挥了他强大的力量，拯救了所有在场的人。　　经此一役，克里许那领悟到他强大力量的背后，背负着保护大众的宿命，而这个宿命的最终任务，就是对抗邪恶博士，阻止他控制世界的骇人计划……

　　一场席卷全球的神秘事件摧毁了所有的电子设备，剥夺了人类的睡眠能力，世界陷入混乱。吉尔（罗德里格兹饰）是一名往事不堪回首的退伍军人，而她的女儿也许是挽救一切的关键。那么问题来了，吉尔能否在失去理智之前安全地护送女儿并拯救世界？

　　The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.

 设定在1999年，以伪纪录片形式，聚焦那些看似普通、欢乐的家庭录像带中发现的可怕事件和“鬼影”。

　　埃及裔美国人安瓦•艾尔•伊布拉西米（奥玛尔•梅特瓦利 饰）大约二十年前，从埃及移民到了美国，与漂亮的美国姑娘伊莎贝拉•菲尔兹（莉丝•维瑟斯彭 饰）成了家，夫妻恩爱生活美满，育有一子，伊莎贝拉肚子里的第二胎也日渐成型。　　某日，安瓦•艾尔•伊布拉西米从南非出差回来，在华盛顿机场被神秘的黑衣人带走，原因是中央情报局认为身为化学品工程师的安瓦•艾尔•伊布拉西米是恐怖分子，想从他口中撬出有用的情报。倒霉的安瓦被“引渡”至埃及的开罗，交由驻扎在当地的中情局探员道格拉斯•弗里曼（杰克•吉伦哈尔 饰）和老奸巨猾的当地探员审讯。　　另一方面，身怀六甲的伊莎贝拉，坚信丈夫是无辜的，四下奔走，努力寻找丈夫的下落。期间，她虽然幸运地获得旧情人（彼得•萨斯加德 饰）的帮助，但终究不足以国家强势机构对抗，一筹莫展。　　与此同时，刚刚入行不久的特工道格拉斯•弗里曼，在目睹了CIA同事们对安瓦进行的非人道审讯时，也面临着良心的拷问。　　安瓦是不是恐怖分子？伊莎贝拉能否和丈夫团圆？中情局新手道格拉斯•弗里曼，究竟在这场暗战中发挥了怎样的作用？对这一切疑问的解答，必将引向对“引渡”政策的重新审视。

　　在天眼尚未密布，监场保安仍会打瞌睡的二十世纪七十年代，名画大盗就是会光天化日，大剌剌走进美术馆，直接把猎物从墙上取下放入布袋运走。看似儿戏的一切，背后主谋还要是住在市郊、人畜无害的住家男人。凯莉·莱卡特完全弃用好莱坞盗宝片叙事公式，改以其擅长的左翼简约主义镜头，捕捉触犯艺术罪行者的日常生活、双面人的言行处境，以及事件周遭人情冷暖。阿瑟多夫的抽象画作未必是一个借口，但到头来凸显存在荒谬的公路逃亡，俨然为观众添加了不少欣赏和思考的层次。