妻子的赔偿

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　“不准奔跑、不准跳水，天黑以后没有救生员值勤，不准游泳。”　　影片根据2014年拍摄的同名短片改编，内心深处希望能够战胜病魔，再度回归美国职棒大联盟打球的雷（怀亚特·拉塞尔 Wyatt Russell 饰）和他的太太伊芙（凯瑞·康顿 Kerry Condon 饰）搬进新家，后院的游泳池不仅让孩子们玩得开心，也能够让他进行物理治疗，然而这栋房子阴暗神秘的过去即将释放一股邪恶力量，把这一家人拉进无法逃脱的恐怖深渊。

　　故事发生在1956年的法国，一名牧师惨遭谋杀，某种邪恶正在散播，艾琳修女（泰莎·法米加 Taissa Farmiga 饰）将再次与鬼修女瓦拉克（邦妮·阿伦斯 Bonnie Aarons 饰）展开正面对决。

 她是一位国标舞者，却在重大赛事的紧要关头遭遇危机，幸好有位街头舞者挺身而出，不顾自身过往的伤痛，担任她的出赛舞伴。