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芝加哥大火记
泰隆·鲍华,艾丽丝·费伊,唐·阿米契,艾丽丝·布雷迪影片主线讲述了19世纪一户普通家庭来到芝加哥并奋斗的故事,影片后半一头母牛碰倒了提灯点燃了大火,展现了惊人的火灾场景。
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耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
手遮天
刘峰超,袁福福,淳于珊珊底层捕快薛不疑(刘峰超 饰)因不谙世故遭同僚排挤,憋屈十年。一桩赈灾银盗窃案他沦为替罪羊。绝境中,他受老师黄士宁(淳于珊珊 饰)搭救,与师弟李震(袁福福 饰)再度合作,然而钱外有钱官外有官,他被迫成为高官手中的“犬牙”……在这黑暗世道,他是会选择做一只听话的鹰犬,还是挣脱这巨 手成为啄天之鹰?
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观影评论
日月往来,涓涓红水。乍浅乍深,再浮再沉。颜如半笑,眉似含啼。爱我芊芊,风月无边。
吴王有胆识越王有远见,都不是简单的人物啊!
沈浪对宁元宪真是坦诚相待,打击政敌的机会都不要
干得漂亮,就酱拖回去,扔床上,关上门,然后……呵呵呵呵呵呵呵
发个帖子记录一下喜欢的漫画么么哒~
来啦来啦,居然只有20篇😭一下考完了看啥啊!声声可不可以更些日常
好短啊[:a催更:][:a催更:][:a催更:][:a催更:]
这个作者画的这么慢,为什么还要投月票?
啊啊啊啊啊!你特么是懂拿捏我们的!断位真精准!
你们一堆姑娘家家的,怎么比我一个…还……唔