被驯服的女人

　　在某临近海滨的医院内，住着一个无依无靠的中年男子金珉昊（千浩振 饰）。由于左半边身体失去知觉，加上脑神经受损，因此他无时无刻不想了结这苦难的人生。这一日，医院送来了另一位没有任何亲眷的病号，他的名字叫做朴尚桦（刘海镇 饰），因脑部受损而失去了记忆，与金安排在同一个加护病房。朴的到来，激起金珉昊心中无限的波澜。这两个男人似乎曾有着无限的仇恨与瓜葛，致令金想尽各种办法要置其于死地，而渐渐恢复记忆的朴也将同样的仇恨倾泻于金珉昊。　　与此同时，神秘的白医生一反常态对两个男人进行特殊关护，并且用匪夷所思的治疗方法帮助他们恢复健康。这一切的背后，似乎隐藏着更大的谜团……

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

　　在《吸血鬼德古拉》小说原作者布莱姆·斯托克笔下的一章“船长日志”中，“得墨忒尔”是把德古拉从特兰西瓦尼亚运到伦敦的船的名字——这艘俄国帆船运送着50个没有标记的大木箱出发，而此后在英国海岸线上搁浅，破破烂烂，全船仅存一个疯癫的幸存者。本片的故事将详细聚焦得墨忒耳号的那趟可怕旅程：某神秘的乘客把船员们一个接一个屠杀。